Powell’s 1996 Sextet, his last work of consequence, written two years before his death, ended the program, as much a love letter from composer to performers as music can boast. From first note to last, he guided his six players through the art of conversation: the solo statement, the refutation, the argle-bargle, the rumination, the reconciliation. If you need a single work to define the essence of chamber music, let it be this. If you need a single group of supremely dedicated players to define the essence of what it means to make music together, let it be these.
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