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The 25th Annual LA Weekly Theater Award NomineesIncluding A Clockwork Orange, The Cosmonauts Last Message to the Woman He Once Loved in the Former Soviet Union and morePublished on February 12, 2004Anthony Burgess’ A Clockwork Orange, Ark Theater Company The 25th annual L.A. Weekly Theater Awards, honoring work on small stages in 2003 and hosted by Buffalo Nights Theater Company, will be held on Monday night, April 26, at the Los Angeles Theater Center, 514 S. Spring Street, downtown. Doors open at 6:30 p.m., show begins at 7:30 p.m., and a catered reception follows. RSVP required. All nominees are free; all guests, $10. Admission to the post-show reception only, $5. Seating for nominees will be guaranteed with an advance RSVP and on-time arrival at the event. Please RSVP early to (323) 993-3693 as this show does sell out. You are a nominee if 1) Your name is on the list below, 2) Your name was in the program as an actor for any of the “ensemble” categories, 3) Your name was in the program as a producer, director or designer for the “production design” category, 4) Your name was in the program as an actor, writer, director, producer, designer or stage manager for any of the other “production” categories (including “Musical of the Year”). For further updates and more information, go to laweekly.comor call (323) 993-3693, and your call will be returned. PRODUCTION OF THE YEAR The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union, Open Fist Theater Eighteen, Meadows Basement Theater at the Complex REVIVAL PRODUCTION OF THE YEAR (of a 20th-century work) Anthony Burgess’ A Clockwork Orange, Ark Theater Company at the Whitefire Theater Anthony Burgess’ A Clockwork Orange, Greenway Arts Alliance Johnny Got His Gun, Stages Theater Center The Skin of Our Teeth, Evidence Room The Women, Theater Neo in association with Hudson Theatricals at the Hudson Avenue Theater MUSICAL OF THE YEAR Anyone Can Whistle, a guest production at the Matrix Theater Company, Knightsbridge Theater Oh! What a Lovely War, Knightsbridge Theater The Shaggs: Philosophy of the World, Powerhouse Theater at [Inside] the Ford Sneaux!, Wood Chipper Productions at the Matrix Theater DIRECTION Brad Mays, Anthony Burgess’ A Clockwork Orange, Ark Theater Company at the Whitefire Theater Anthony Paul Meindl, Dogs Barking, MetaTheater Company at the Third Street Theater Stefan Novinski, As I Lay Dying, Open Fist Theater Stefan Novinski, The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union, Open Fist Theater Stefan Novinski, The Skin of Our Teeth, Evidence Room Steve Pickering, Among the Thugs, Odyssey Theater Ensemble COMEDY DIRECTION Andy Fickman, Sneaux!, Wood Chipper Productions at the Matrix Theater Joe Jordan, Don Juan in Chicago, Sacred Fools Theater Roger Kumble, Turnaround, Dark Harbor Stories at the Coast Playhouse MUSICAL DIRECTION Darryl Archibald, Anyone Can Whistle, a guest production at the Matrix Theater Michael Collum, Company, Knightsbridge Theater David O., The Shaggs: Philosophy of the World, Powerhouse Theater at [Inside] the Ford ENSEMBLE Among the Thugs, Odyssey Theater Ensemble As I Lay Dying, Open Fist Theater The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union, Open Fist Theater Dogs Barking, MetaTheater Company at the Third Street Theater The Island, Camelot Artists in association with Blackbelt Productions at the Beverly Hills Playhouse The Shaggs: Philosophy of the World, Powerhouse Theater at [Inside the Ford] The Skin of Our Teeth, Evidence Room When Tigers Smoked Long Pipes, Lodestone Theater Ensemble and Orphans Theater Company in association with the Victory Theater COMEDY ENSEMBLE Don Juan in Chicago, Sacred Fools Theater Tartuffe, Circus Theatricals at the Odyssey Theater The Trials and Tribulations of a Trailer Trash Housewife, Delane Entertainment at the Zephyr Theater Turnaround, Dark Harbor Stories at the Coast Playhouse LEADING FEMALE PERFORMANCE Tamar Fortgang, The Taming of the Shrew, an LA Orpheum production in partnership with the Los Angeles Conservatory and in association with Zoo District Theater Company Amanda Karr, Tender, Knightsbridge Theater Jennifer Bledsoe, Eighteen, Meadows Basement Theater at the Complex Melanie Hawkins, Eighteen, Meadows Basement Theater at the Complex Megan Mullally, Mayhem, Evidence Room Esther Scott, Going to St. Ives, Fountain Theater V.C. Smith, Anthony Burgess’ A Clockwork Orange, Ark Theater Company at the Whitefire Theater Ruth Williamson, Anyone Can Whistle, a guest production at the Matrix Theater LEADING MALE PERFORMANCE Geoffrey Lind, The Hostage, Alliance Repertory Company Theater Rob Nagle, Eighteen, Meadows Basement Theater at the Complex Adrian Neil, Alfie, MET Theater Beau Puckett, Company, Knightsbridge Theater Ted Rooney, Uncle Vanya, Actors Co-op Jack Stehlin, Tartuffe, Circus Theatricals at the Odyssey Theater Saul Williams, Tibi’s Law, Stages Theater Center SUPPORTING MALE PERFORMANCE Michael Cunio, Sneaux!, Wood Chipper Productions at the Matrix Theater John Fleck, Small Craft Warnings, Mesa Production Company at Evidence Room Travis Michael Holder, Small Craft Warnings, Evidence Room Joe Mellis, As I Lay Dying, Open Fist Theater Daniel Nathan Spector, Tartuffe, Circus Theatricals at the Odyssey Theater Tom Everett Scott, Turnaround, Dark Harbor Stories at the Coast Playhouse David Steen, The Trials and Tribulations of a Trailer Trash Housewife, Delane Entertainment at the Zephyr Theater SUPPORTING FEMALE PERFORMANCE Gigi Bermingham, Tartuffe, Circus Theatricals at the Odyssey Theater Hedy Burress, The Shaggs: Philosophy of the World, Powerhouse Theater at [Inside] the Ford Wendy Johnson, Small Craft Warnings, Evidence Room
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