If you were at Ojai last summer, you’re probably still aglow from Marino Formenti’s piano concerts: the “marathon” earlier in the week and the two astonishing recitals later on. “Why hasn’t he recorded?” was a question frequently asked. He’ll be back next week, but now the question has an answer. It comes on two discs from Germany’s Col-Legno label. One is a recital of music by Germany’s quizzical, enigmatic, unfathomable Helmut Lachenmann, including the Serynade that Formenti had performed at Eclectic Orange earlier last season; this will take work. The other disc, more immediately accessible, is titled nothing is real, and has strawberries in the cover design and a piece by Alvin Lucier named after the Beatles number in question. Better yet, it includes Georg Friederich Haas’ Hommage à Ligeti for Two Pianos With a Quarter-Tone Difference, which Formenti played — alone! — at Ojai. Talk about your ancient intonations and your exotic Baghdad scales! These are discs to cherish. Ojai’s people tell me that, for the moment anyhow, they have dibs for the U.S. market on these Formenti discs and will have a supply on sale during next week’s festival. Otherwise, you’re on your own: www.collegno.de.
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