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Fulfillment at the Close

The ”Unfinished“ is one of those works easily dismissed with an ”oh no, not that again“ shrug, until an exceptional performance grabs us by the ears and obliges our rediscovery. From the opening whisper of the cellos (even though joined on Friday -- aaargh! -- by the electronic squeal of cell phone or hearing aid that blights our concert life nowadays) it was obvious that Schiff and the orchestra had something new to tell us about this work --and, therefore, that Schubert did, too.

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