By Catherine Wagley
By Channing Sargent
By L.A. Weekly critics
By Amanda Lewis
By Catherine Wagley
By Carol Cheh
By Keegan Hamilton
By Bill Raden
“If we wanted to just go after kids, we’d just play music the kids want to hear. See, a 15-year-old kid doesn‘t drop out of school by himself. The mother, the father, the grandfather -- everybody else has got to give it the okay. Maybe they say, ’Well, school wasn‘t good for me, so okay, go get a job.’
”We want them to say, ‘Bullshit. Stay in school.’ So the message has to reach three generations, which means the music does, too, so the whole family can dig the show. We put it on the whole family. I tell parents, ‘You want your kids to go to school,’ you go to school. Go take one class. Take a pottery class -- whatever it is. You‘ve got to break that cycle of ’Nobody in our family ever went to college.‘
“And, by playing all that different music, you have grandparents sitting there telling the children, ’I remember when this came out,‘ and talking about that, so you have history happening. It gets passed down. You use that loyalty to the music to get people to stay in school. And, with the scholarship fund, we’ll help.”
Castro stresses that “Education is the equalizer. To tell people that, you need a hook, and ours is that we talk and play music in a very informal manner. But we‘ve always pushed the positive image.”
This need to promote a positive image has even made Castro careful about where the scholarship money comes from.
“A beer company offered $25,000 to sponsor the Chicano Music Awards,” says Richard “Riche” Barron, Sancho’s on-air sidekick, “but Sancho refused. Endorsing alcohol sends a negative message to the community.”
“To do good,” emphasizes Castro, “you‘ve got to feel good about yourself. We introduce levity into it, but the bottom line is, if you don’t go to school, you‘re selling yourself into slavery, because, without education, there are no options.
”Without options,“ he intones gravely, ”you have no choices. Without choices, the game’s over.“
On-air, and Webcasting on www.san choshow.com, Sancho has also championed computers: ”We‘ve heard from Arkansas, Tennessee, Washington, D.C., New York . . . A lot of those people are transplants from here who wanted to stay in touch, and some bought computers just to be able to listen to the show. That was the coolest part.
“Computers are the future. It’s not here yet, because the average person is still buying that color TV. Poor people of all colors haven‘t made the transition yet. But it’s one of the most important tools. We‘re a technological era. Before, it was how much land you had, or money. Now, it’s information. And information‘s free on the Web. So anybody can start something new, which is a real trip, in that you’re equalizing the power base, because everybody can get information. And nobody can corner the market, because a kid with a little gumption gets into it, and he can be playing big time just as well as the next person.
”To start a magazine or make a movie took big-time cash. But Web sites are cheap, and people who never had access [to mass media] now have access, and that means a level playing field.
“I tell people, ‘You want to help your kids, buy a computer. Change their life forever.’”
Sancho has little to say about radio, even given his 15 years of broadcasting. The Sancho Show was a vehicle, never an objective unto itself.
“One of the things we found in our early research is that 70 percent of the information young people get comes from radio. And it turned out that a whole lot of different folks get their information from radio, so that was the medium we chose.”
In 1998, Al Gore commended The Sancho Show as “a perfect example of non-elitist public programming.” KPCC was proud. But that was before Minnesota Public Radio, the new operators of KPCC, notified DJs that KPCC music programming would end on March 11. Everyone, that is, except Sancho, who did his last show on February 26. KPCC‘s general manager, Cindy Young, insists that “All the DJs were informed in a similar manner about the format change, including Sancho, but I won’t discuss private conversations.” She adds, “Dr. Castro wasn‘t singled out for any kind of treatment different from the other people we let go.”
Castro recalls differently.
“On the 26th, we did our program and left. Monday, she called the school where I work.
”She said, ’You know about the format changes?‘ and I said, ’Yeah, I called you three months ago and told you I wanted to talk to the Minnesota people about what they were gonna do with us, and at that point you said you‘d get back to me.’
“She said, ‘Minnesota has made the decision to go all-talk on March 11.’ I asked, ‘So when’s our last show?‘ And she said, ’That was your last show. That‘s what we decided.’
”I said, ‘I’ve been doing this show for 15 years, and that‘s how I’m treated? I don‘t get paid like you do, lady. I volunteer myself. Why can’t I do a last show?‘ And she said, ’We don‘t believe you need six hours to lament why you’re not going to be on the air anymore.‘ That’s a quote.“