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Get a Clue, Little DreamerEdited by Kateri Butler & Libby MolyneauxPublished on November 11, 1999ANDY PRIEBOY's brilliantly funny WHITE TRASH WINS LOTTOcouldn't quite keep its promise of providing a seat for "every ass in Hollywood." The musical, loosely based on Axl Rose's rise and redemption in the smarmy world of rock & roll dreamers and schemers, sold out its three-night run at the Roxy so quickly that many of us missed this latest version, which has evolved from its work-in-residence period over three years at Largo. (You'll get another chance when White Trash Wins Lotto returns to the Roxy December 911.) One local rock band, who didn't see it either, nonetheless took offense at WTWL and decided to organize a protest outside the Roxy on the grounds that "rock & roll is not a circus." (We swear -- they really said that.) The group, whose lead singer is known for flapping his genitalia onstage (although we hear he's recently severed that part of his act), called various scenesters around town to help out with the planned demonstration, including nightclub impresario/music writer JIM FREEK. According to Freek, the clueless glam boy felt that White Trash was "making fun of the rock-star dream" and that "even the title is condescending." Of course, anybody who's even only read about WTWL knows that the show is mostly a gibe at the bloated egos and unscrupulous power players in the music industry. Apparently, either the ridiculous rockers figured out what the show is really about, or maybe they were just seeking to suck away a little of the publicity generated by the talented Mr. Prieboy, but in any case, they never showed up. Perhaps they were planning a protest against another musical -- and one whose title the band should definitely take personally -- Hedwig and the Angry Inch.
CAN'T WE ALL GET A-SCHLONG? Tons o' butt-shakin' kiddies -- in costumes rangin' from the Blair Witch to the YK2 Bug -- got a ghouly groove on at KROQ'S FOURTH ANNUAL --Derrick Mathis
SQUATTER'S RITES What would you do if the landlord stopped collecting rent and allowed squatters to take over an abandoned Fairfax-district apartment right next to yours? Why, commandeer the empty site,
THESE GUYS PUT THE FUN IN FUNERAL The term "ghost town" took on new meaning around the ORPHEUM THEATER on Broadway right before Halloween. Usually, this part of downtown is deserted after dark, but goblins and gremlins galore gathered for the Orpheum's SPOOK-A-THON, an annual benefit where archival prints of scream classics are shown to raise funds for the preservation of this spectacular movie palace, built in the French Renaissance style in 1926. Revellers -- from goth-club-kid vampires to middle-aged, love-handled and bespectacled horror-film buffs (and you should have seen the people in costume) -- watched a macabre parade put on by the PHANTOM COACHES HEARSE CLUB, whose 132 "dismembers" restore and drive vintage coffin crates, everything from a 1917 wood-carved Model T to souped-up '60s chariots. (The ghoulish hot-rod gang held an all-hearse drag race -- guess you could call it Death in the Fast Lane -- at Pomona Raceway on Halloween.) The sleek and gleaming Black Marias ranged from Phantom Chairman of the Morgue JEFF PERRIN's sinister 1960 Eureka Landau to a '68 Caddy driven by JOHNNY JONES, whose dripping, fang-punctured neck tattoo turned some heads. If you missed the parade, take a gander at the debut issue of Hot Rod Deluxe, which features BILL SMITH's 1965 Irish Mist Superior Landau End-Loader hearse. And remember, even if your load doesn't end up in such a stylish conveyance, everyone gets to ride in a hearse at least once. --Pleasant Gehman Bottom photo by J.V. McAuley
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