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A Fluctuating Sameness

Also lingering, however, was a slight sense of having been there before. I heard my first "tape-and" music in, I think, 1961; last week's music for piano and tape (by Johannes Kalitzke) and cello and tape (by Winfried Ritsch), however agreeable, seemed mired in a bygone era. No matter. The fact of this event's existence, and the message it sends out that somewhere in this world there are people willing to play and to listen to new music - and that the creators of this festival are already talking about the next, and the next - is the best of all possible news.

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